The entire collection spins around one question: A woman passes several men who are hard at work. What could she wear so that they would stop in their tracks and forget to whistle?
Since this is my first collection, I wanted to experiment as much as I could. I have chosen four styles that will answer the question and a special one for the wedding dress: a cosmopolitan woman walking along a New York street, some kind of robotic, but still elegant puppet with a tech vibe; a powerful artistic female, the image of incredible energy inspired by the dancers in Vaslav Nijinsky's Rite of Spring; a very sensual, daring woman, la femme fatale, le Carmen of our times, devoid of any fear; an ethereal woman, whose presence is accentuated by the power of the détail, one that will make a perfect victim for Jean-Baptiste Grenouille; that sort of woman that has something royal in her allure, a jewel in her own Golden Age. The wedding dress is an experimental one, the woman resembling a spider ready to eat her male.